
#Cinema
By: Shivendra Singh Dungarpur
I never thought an action as ordinary as reading an article in a magazine would turn my life on its head. In 2010, I was a filmmaker with a flourishing career, shooting four commercials a month, travelling the world, with barely time to breathe between projects. It was then that I read an article in which Martin Scorsese spoke about a festival named Il Cinema Ritrovato in Bologna, Italy, dedicated to restored films.

I had never heard of a festival of restored films before or even that films could and were being restored. Curiosity aroused, we travelled to Bologna to attend the festival. It was a revelation. We discovered a new world of film archivists and restorers dedicated to preserving, restoring and screening films from around the world, some films dating back to the birth of cinema over a century ago – some of them showcased beautifully with live accompaniment in the magnificent medieval Piazza Maggiore.

Yet there was a glaring absence of restored Indian films and Indian archivists that gave us pause to think about the state of India’s film heritage.

Mumbai is recognised as the bastion of the film industry, yet we do not have an institution that celebrates the history and culture of our cinema. FHF has a vision to build a firstof- its-kind Centre of the Moving Image in Mumbai. The Centre will be a living testament to India’s rich film heritage and its power to reflect and influence the culture. It will be a world-class hub for film, covering every aspect of moving image, including a training and research centre, a library, film archives, a film conservation and restoration lab, projection facilities, exhibition and event spaces and will house a superb collection of memorabilia representing decades of our moving image.